FINGERING DIATONIC SCALES ON A SHORT NECK


Music Theory  
          Intervals
         Chromatic Scales
         Diatonic Scales
        Keys
Fingering
          Relating keyboard notes, strings and frets
          Fret location of notes for diatonic scales


  Now, finally, we see how to determine the location of all twelve notes per octave fall on the neck of your instrument,.

Example, short-necked instrument:

Instrument: Viola or Mandola
Key: D major

From previous web pages, you determine that the key of D major has two sharps, F# and C#, and begins on a D, like this:

           D, E, F#, G, A, B, C#, D

Let's take the easiest octave first as an example.

Start the scale on the open D string.  The fret locations you want are:

Fret position
0
1
2
3
4
5
6
7
Note
D
D#
E
F
F#
G
G#
A
Scale degree
I

II

III
IV

(V)
Finger


1

2
3

(4)
.
then continue on the A string as follows:

Fret position
0
1
2
3
4
5
6
7
Note
A
A#
B
C
C#
D
G#
E
Scale degree
V

VI

VII
I


Finger


1

2
3



Your finger spacing reflects the interval spacing in the major scale.  Where two scale notes are a M2 apart, your fingers are wide apart.  Where two scale notes are a m2 apart, your fingers are close together.

And note that on a short-necked instrument, you don't leave out any fingers.  The only reason we show the fourth finger on the D string  in parenthesis is because you normally use an open A instead.  And we entirely left out the fourth finger on the A string because it plays an E, which is above the one octave D scale in this example.

Now, let's do the lower octave of the D scale, which is a bit harder for small hands to reach.

Here's the C string first.

Fret position
0
1
2
3
4
5
6
7
Note
C
C#
D
D#
E
F
F#
G
Scale degree


I

II

III
(IV)
Finger


1

2

3
(4)

And here is the G string fingering for the last half of the lower octave of the D major scale.

Fret position
0
1
2
3
4
5
6
7
Note
G
G#
A
A#
B
C
C#
D
Scale degree
IV

V

VI

VII
(I)
Finger


1

2

3
(4)


Again, we put in parenthesis the fourth finger on the C and G strings, because you can use the next higher open string instead.  Notice how there is wide spacing between  first and second fingers, and between second and third fingers.  That is what makes the lower octave harder for people with small hands.

This example shows the fingers used at the low pitch end of the neck, in what is called 'first position.'  There are other positions.  In those positions, your hand would be farther up the neck of the instrument.  But that is a subject better left for the violin lessons part of the web site.  Basically, when you move your first finger up to the next letter-named note, you have moved up one position.  For example, on a violin or viola D string, first finger on E is first position. First finger on F is second position: on G is third position: on A is fourth position: on B is fifth position: on C is sixth position: on D is seventh position, etc.

An important thing to notice here is that you can use all your fingers, because the fret positions are close enough you can reach all the notes that way.  This is pretty much a one-to-one match between your fingers and notes in a diatonic scale.  But on a long-necked instrument like cello, that doesn't work.  Instead, you have a one-to-one match between half-steps in a chromatic scale and your fingers.  So to play a major or minor scale, you would frequently need to skip using some of your fingers.



Note Location and Fingering Patterns